Rachmaninoff - Prelude in C Sharp Minor (Op. 3 No. 2.
The C major sonata Op 2 no 3 seems pretty plain, until you hear the opening of the E major slow movement, for which Richter, without in the least highlighting it, finds the precise implied echo of the opening of the first movement in the unorthodox key which makes any Schenkerian analysis redundant, and the texture and individuality of every sonata on the first of the two discs is similarly.
After passing through the related keys of B minor and G major, the main theme returns in the tonic key of D major, thus beginning the recapitulation. The outline of the exposition is mainly followed in the course of the recapitulation with the exception that the brief second theme is omitted. In its place, instead, is a statement of the principal melody in the key of F major. The same melodic.
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There is a wistful and melancholic beauty about these timeless pieces that defies analysis. I do wish that she had recorded more music from this period. These pieces were taken from Margaret Glyn’s groundbreaking edition of the composer’s works, first published in 1922. Harriet also included Ralph Vaughan Williams heart-breaking Hymn Tune Prelude on (Gibbon’s) Song 13. This is one of the.
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The Leventritt award led to his debut with the New York Philharmonic in 1941, playing Beethoven’s C Minor Concerto under John Barbirolli, and composing his own first movement cadenza for the performance. The debut was a big success, and Noel Strauss of the New York Times wrote “with all the enthusiasm and fire of youth, Mr. Foster, whose approach to the keyboard was of a noble, heroic type.